Harper Collins Australia
Head of Zeus
By the bestselling author of Dark Matter and Thin Air, an outstanding new piece of story-telling, a tale of mystery and imagination laced with terror. It is a masterwork in the modern gothic tradition that ranges from Mary Shelley and Bram Stoker to Neil Gaiman and Sarah Perry.
“Something has been let loose…”
In Edwardian Suffolk, a manor house stands alone in a lost corner of the Fens: a glinting wilderness of water whose whispering reeds guard ancient secrets. Maud is a lonely child growing up without a mother, ruled by her repressive father.
When he finds a painted medieval devil in a graveyard, unhallowed forces are awakened.
Maud’s battle has begun. She must survive a world haunted by witchcraft, the age-old legends of her beloved fen – and the even more nightmarish demons of her father’s past.
Spanning five centuries, Wakenhyrst is a darkly gothic thriller about murderous obsession and one girl’s longing to fly free.
Creepy gothic suspense where madness reigns supreme.
Wakenhyrst is a gothic feminist tale (is that such a genre or just the mantle I read this book with?) that oozes a chilling miasma of menace and madness. Superstition, religion and misogyny rule and life for a sensitive and intelligent female child is harsh, restrictive and lonely.
This character driven narrative offers an antagonist you easily abhor (the father Edmund Stearne) and Maud (the daughter) is the protagonist that you admire, empathise with and cheer on… Megalomania is Edmund Stearne – he is a tyrant, superstitious, self-obsessed, a sex manic, controlling and vile and ugly – his beliefs, though extreme ( I hope) mirrored those of a society that held women in contempt and treated as (not very valuable) possessions. This was a very interesting study of attitudes and superstitions of the time.
The fens provide an eerie backdrop to the repressive madness that ruled Wake’s End. However I was expecting more, I felt the horror element lacked vitality. Creepy, eerie, repressive and yet fascinating sums up my emotional response to this narrative.
PS Loved the cover art.